The Perfect Neighbor Review: Examining a Notorious Shooting Through the Lens of a Florida Officer's Body-Cam

The real-life crime category has a new medium, or perhaps even a whole new language and grammar: police body cam footage. Faces of victims, witnesses and possible perpetrators appear suddenly to the cameras, sometimes in the intense brightness of headlights or flashlights as the officers approach, their faces and voices eloquent of wariness or fear or anger or suspiciously contrived innocence. And we frequently catch sight of the faces of the law enforcement personnel, one standing by blankly while the other asks the questions with what occasionally seems like remarkable hesitation – though perhaps this is because they know they are being recorded.

A Growing Trend in Documentary Filmmaking

We have already had the streaming service true-crime documentary The Gabby Petito Case, about the slaying of an social media personality by her boyfriend, whose main point of interest was body cam footage and in which, as in this film, the police seemed surprisingly lenient with the suspect. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of officer footage. Now comes Geeta Gandbhir’s documentary about the grim case of Ajike Owens in Ocala, Florida, a African American woman whose four young kids allegedly harassed and antagonized her neighbor, a local resident. In 2023, after an escalating series of neighbour-dispute incidents in which the police were summoned multiple times, the accused shot Owens dead through her closed front door, when Owens went to the neighbor's residence to address her about hurling items at her children.

The Investigation and State Laws

The arresting officers found proof that Lorincz had done internet searches into the state's self-defense statutes, which permit residents and others to use firearms if there is a reasonable belief of threat. The documentary builds its story with the body cam footage captured during the repeated police visits to the location before the killing, and then at the disturbing and disordered crime scene itself – introduced by emergency call recordings of the caller calling the police in a dramatically trembling voice. There is also police cell footage of the individual which has a disturbing, unsettling appeal.

Depiction of the Suspect

The film does not really imply anything too complex about Lorincz, or any extenuating circumstance. She is clearly unstable, although the kids are heard calling her a derogatory term, an ugly jibe. The production is showcased as an illustration of how self-defense regulations lead to senseless and tragic bloodshed. But the fact of gun ownership and the constitutional right (that historic American constitutional privilege that a deceased pundit notoriously said made gun deaths a price worth paying) is not much highlighted.

Officer Questioning and Gun Culture

It is feasible to watch the officer questioning segments here and feel surprised at how minimal concern the police took in this point. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Was this the first time she discharged the weapon? Where did she store it in the house? Could it have been easily accessible and prepared? The police aren’t shown asking any of these surely relevant questions (though they may have done in footage that were not included). Or is gun ownership so commonplace it would be like asking about kitchen appliances or bread heaters?

Arrest and Aftermath

For what appeared to her neighbors a very long time, the suspect was not even taken into custody and indicted, only detained and even offered a hotel stay away from home for the night (another point of comparison, by the way, with the a prior incident). And when she was ultimately formally arrested in the detention area, there is an extraordinary sequence in which the individual simply refuses to stand, refuses to put her wrists out for the cuffs, not aggressively, but with the courteously pathetic demeanor of someone whose mental health means that she is unable to comply. Had the kid-gloves treatment up until that point encouraged her to think that this might actually work?

Final Outcome and Judgment

It was not successful; and the panel's decision is revealed in the end titles. A deeply sobering portrayal of U.S. justice and consequences.

This Documentary is in theaters from 10 October, and on Netflix from October 17.

Jesse Walton
Jesse Walton

Elena is a seasoned tech journalist and business analyst with over a decade of experience covering digital innovations and market trends.