Mangione: The Story Behind the Story by John H Richardson – Sympathy for a Devil?

On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One post stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”

Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the capital punishment. So what is his background? And what drove the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.

Understanding the Person

A writer for a major publication, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, writing stories about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their content ranged from climate change to masculinity, along with a “emphasis on his own self-improvement, both physical and mental”. Additionally, Richardson analyzes his correspondence with online personalities and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in symbolic roles.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson takes as his lead three words – “delay”, “deny” and “remove”, etched on the ammunition left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione had a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or destroy us, or both.

Missing Pieces

Conspicuous by their absence from the book are interviews with the principal actors. Richardson made requests, but never expected access to Mangione himself. And his family made it clear that they had decided against speaking to the press in advance of the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings rose significantly.

Unclear Conclusions

By book’s end, the audience has little insight of Mangione’s character or what could have driven his accused actions. More troubling, Richardson’s obvious sympathy for him gives the reader the uncomfortable impression of having been exposed to a subtle approval of an assassination. In the book’s closing remarks, Richardson delivers his fairytale assessment: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the naked leader.” In that fable “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the population is in pain and nothing makes sense anymore.”

One thing is clear: as Mangione’s legal representatives continues in its attempts have charges that could lead to the death penalty thrown out, any reference of myths, Robin Hoods, heroes or monsters will not be admissible as evidence in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Jesse Walton
Jesse Walton

Elena is a seasoned tech journalist and business analyst with over a decade of experience covering digital innovations and market trends.